RE: New Tunes 31.5.2024
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Nowadays (which is also not often the case) almost all artists make it into the critics. I think that's a very positive sign right from the start.
Aquaserge - The deliberate discrepancy between the voice and the music is what makes the whole thing particularly exciting for me. It's as if someone is knocking on the door of your house with the request: “I have a message for you...”
Shabaka - and it doesn't matter what instrument he is favouring at the moment. The result will always be worth a listen. The text, however, is not necessarily suitable for the students of the monastery.
OdNu - my advice here is for everyone to simply close their eyes and let their own images be accompanied by music. Or to reinterpret your kaleidoscope of pictures.
The Felice Brothers - Dylan had a perfect reason for switching from an acoustic guitar to an electric guitar. Even in the most beautiful nature with all the flowers along the way, the eternally same chords on the guitar can get on your nerves.
Nick Cave - a little bit of patience is still required here. A judgement will only be made when the complete work is available.
Serj Tankian - if I woke up in such a bad mood this morning, I would have pulled the covers over my head. It appears that he prefers to let the whole world in on his bad mood.
**Stock Goblin - just a disaster from a vocal perspective and musically without any surprises.
I'm eagerly awaiting the next delivery. Meanwhile, you can listen here:
I am glad that you have taken the analysis seriously. For XYZ reasons, I did not reply earlier. Criticisms of music and selection are always welcome and enjoyable to read, primarily if they are based on listening experience, which yours undoubtedly are.
Thank you for King Hannah. I've listened to the whole album. I have mixed feelings, but there is something in her. It picks up and recycles from the pile of "dirty" guitar sounds and underground lyricism from the 90s.