Santa's supply chain (Part 2) - ice sculpture
So, where does the letter go when you send it up the chimney? I always had the idea that it atomises into a million pieces and is then carried on the winds all the way to the north pole where it rematerialises in Santas mailbox.
However, during my extensive research for this sculpture project, I discovered that Santa's Elves fly over the city the night that letters are to be sent. They travel on kestrels so they can hover just above the houses and pluck the letters from the air. Don't try to prove me wrong, it is dark out there and they are very silent.
And so I had the next scene for my exhibition to create although, I actually carved this one last from the bits and pieces of ice I had leftover. I always try and use every bit of ice I have as this stuff is expensive and I'd rather see it carved than literally go down the drain.
Again as with my previous post, I am sorry about the image quality. These are the only pictures I have. Each sculpture was made in parts for easy transport and so I never had them all together till I placed them in the Exhibition freezer. Forgetting my good camera is a regret I am still dealing with and I am sure I will be laying on a psychologist couch one day recounting it in tears.
The Making of (montage 2)
I used all the offcuts I had left from the larger sculptures to cobble together this scene. I made some simple cloud-like plates that I could fuse together above a quickly roughed out mountain landscape. You can see the water drips made everything look a bit messy but I knew this would melt away very soon and resolve the surfaces.
The bird could then just stick on top as if it was floating and then a little Elf character sitting on his back. The city was just a collection of geometric shapes that looked like houses from a distance.
It was a simple enough composition which I think drew the attention to the little letter the Elf was holding in his hand.
Returning to the scene of the crime
I took the above sculpture images just as I was running out the door. Finally, when I got to return over 40 days later I was interested to see how things stood up. I brought my wife and son to show them my work. Fintan was as snug as a bug in a rug on his mother's chest. He was in stunned silence at his Daddies amazing work or, he may have just been asleep, babies are mysterious.
All detail had eroded away from this sculpture and all edges softened. I believe it was because it was close to the door. You can also see cracks in the ice which I believe were from constant temperature changes.
The city was still intact and looked interesting. It had blended into a solid mass which looked cool with the Christmas tree lights I had underneath.
That was part 2 of this series. I'll be back next time as we follow the Santa supply chain.
Ps
Thanks for reading. I use PeakD to document my work as an ephemeral Sculptor of sand, snow and ice, amongst other things. This will hopefully give it a new life on the Hive Blockchain. Below you will find some of my recent posts.
Santa's supply chain (Part 1) - ice sculpture
Corona Extra - sand sculpture
Corona Extra - ice sculpture
I hope you'll join me again soon
@ammonite
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I am also starting to create NFTs of my sculptures and welcome you to my gallery where you can own a bit of ephemeral sculpture history.
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I love this one :O
And it has nothing whatsoever to do with how much I love raptors >_>
I love these birds. They look like they are breaking some physics laws with the way they fly.
I cannot get over how magical this is, both the idea and the process and well the installation. The idea of temporary art is always enticing, sand drawings washed by tides, chalk on pavements rained into the aether and the slow drip drip of your creative work as it returns to the earth, truly magical on so many levels.
It seems like you really get the idea of why I love these materials and art forms. For me it is as much performance art as a sculpture. People often ask am I upset that my work disappears. Strangely, once I have made a piece the energy and motivation to make it has been transferred to the material and I so can disconnect and move on to other ideas, it is quite liberating really.
I quite agree @ammonite and in a way nothing is really gone forever, there is a few panes of glass of Time static out there with your artwork still alive, we've merely moved passed where we can view it now, is all.
A fantastic sculpture ❤️ That's amazing and so detailed. Best i've seen so far.
Thank you ykdesign.
https://twitter.com/fleetingsculpt/status/1493693743869964289
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